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Showing posts with label Saraswati Puja. Show all posts
Showing posts with label Saraswati Puja. Show all posts

Sunday, January 25, 2026

My Maiden Act




Jan. 23, 2026 was Saraswati Puja Day. We, the Bengalis of Ganga Vertica Apartments, celebrated it with much fervour and warmth.

As a part of the evening cultural programme, we did a skit -- Sukumar Roy's Abaak Jalpaan (অবাক জলপান). This was a very famous Bengali skit by Sukumar Roy, meant for children. The skit was a funny one and the audience was very much in splits. And there I got to do something I never thought I was capable of: I acted!

When I was a little kid, I used to love watching plays enacted by Uncles and Aunts of the neighbourhood. Historical, mythological, political, comic and satire, even science fiction. Even at that age, the acting, the dialogue delivery, creating an atmosphere with minimal props — everything fascinated me. But never in my wildest dream did I ever think that I would ever get on stage. This was one art form I never flirted with.

When my friends suggested that I participate in this play, a part of me was terrified! How was I even in the list of possible actors?! I had no experience in acting, and consciously at least had never wanted to do it. Yet a part of me jumped with excitement! Would I too get to act? Make exaggerated body gestures? Say things with unrealistic intonations? Get to wear a fake wart on my face (as would invariably be a part of the makeup of at least one of the actors in those plays I remembered from my childhood)? I truly experienced 'Joyfear'!

This was a first time for me in several fronts: acting, acting in a Bengali play and memorising and delivering reasonably long dialogues. I have always thought myself incapable of memorisation — a trick I hardly ever used even when I critically needed it — as a student. I was so happy I could memorise my dialogues and could deliver it with acceptable reproduction. Also, as my upbringing has been outside Bengal, I am always a bit conscious about my Bengali diction. I am so happy I could gather so much courage. And I am elated by the fact that I could try a new thing at my age. I didn't get to wear the fake wart on my face, but I did all the other things. Learning need never end all life, nor does it need be driven by any aspiration of worldly greatness.

I wish Ma Saraswati keeps blessing me with the courage and enthusiasm to jump into things I am not an expert in and keep learning, growing and living life with a learner's spirit. I also thank my very talented friends -- Mr. Somnath Chatterjee for coming up with the idea and directing the rehearsals, Arijit Banerjee for carrying through the main role with such panache, and Sabyasachi Ruj and Koushik Saha for joining in and contributing with their unique style fuel to the laughter machine. 

Related

Ganga Vertica Saraswati Puja 2020

Saturday, February 01, 2020

Saraswati Puja Celebrations -- An Environmental Report

With inputs from Shilpi Banerjee
Photographs by Arijit Banerjee

We celebrated Saraswati Puja in our apartment complex on Jan. 29. The festival brought a lot of positivity and joy to hearts, and hopefully contributed to a general view of learning, science and arts as something pure and pious.

The goddess and the priest


As I have been pointing out the environmental aspect of community events in our neighbourhood, I think it would be good if I apply the same scrutiny on something we organised. So, here we go:

Decoration

We mostly used paper, flowers and leaves for decoration. The drapery used as a backdrop was reusable and went back to the tent house. The organic waste goes to the central organic waste disposal of our apartment.

After the puja, we ourselves removed the decoration. We created three heaps of waste: organic, recyclable and reject (very little). What remained were mostly work of art and craft done by ourselves. We retained them.

During decoration - 1
During decoration - 2
Drawings and paper decoration

Outdoor flower decoration

Idol

The goddess idol was a clay one; no plaster of paris or plastic. The idol was painted using organic colour and accessories were stuck using organic adhesive. After Puja, we did the immersion in a drum normally used within the society for sundry construction work. The drum, though not of a very presentable appearance, was very clean and hygienic. It was orders of magnitude cleaner than most ponds and lakes. We used freshwater for immersion. After immersion, the water and the dissolved clay was used in the society garden. The non-degradable parts of the idol, e.g. the clothing, hair and crown, were extricated and retained.

Goddess Saraswati
The immersion drum (PC: Mrs. Sudeshna Banerjee)


During immersion
After immersion (PC: Mrs. Sudeshna Banerjee)
Left over hair and accessories

Prasad

Much of the morning time prasad was served in biodegradable plates. However, we eventually ran out of them and were forced to use paper (foil filmed) plates which are non-eco-friendly.

Lunch

Main course of the lunch was served in biodegradable betel leaf plates and spoons. Sweet Dahi was served in earthen pots, rosogolla was served directly on the plate.

Lunch being the most real time, populated and probably the most sensitive aspect of the festival, saw a few points of failures.
Towards the end of the queue, we ran out of plates. Eventually, we had to arrange more plates which were, unfortunately, not bio-degradable. Since all used plates ended up in the same bin, it all turned into reject waste. This was a bad failure for us.
Water was served in use-and-throw plastic bottles.


Number of people taking lunch was kept track of using lunch coupons generated out of the payment records. No paper coupons were printed. Of course, on the ground, most people having lunch were friends and acquaintances. Hence, the coupons were not used.

Waste Management

Amid her many tasks, my wife Shilpi was continually keeping an eye on the way waste was being managed on the puja venue. She ensured that all organic waste generated from the process was kept segregated from non-biodegradable waste. When we finally left the puja hall after cleaning up in the night, we had three neat heaps of waste: organic, recyclable and reject.

One failure on our part was that we couldn't ensure that the above segregation was honoured by the waste collection people when they picked it up in the morning. This happened primarily because none of us was available onsite at the time of clearing of waste.

Conclusion

Though not directly related to the environment, let me mention that the surplus fund (which was of course rather tiny at this scale) was donated to fund the education of one poor child through Akshay Patra foundation: as a tribute to the Goddess of knowledge a small deed of kindness to make knowledge accessible to one more person.



Overall, I think, we did set a good example of an eco-friendly celebration. Not so much because we didn't create any pollution at all, but because we paid attention to this aspect, and at least a few members of the team consciously worked hard to ensure that this aspect was not forgotten as unimportant. And it showed in the output.

We couldn't prevent being eco-unfriendly in some aspects. I think, we will do better in future through better planning, more explicit buy-in from the organising committee and better communication to all participants.

For celebrations of larger magnitude, the organising committee should appoint one person who keeps an eye of the environmental footprint of the entire event. Of course, such a person should be  passionate about sustainability. As much of his/her responsibility will involve making other people's work a bit harder (at least that's how many would perceive it), he/she will have to mentally sign up to earn a bit of unpopularity amidst other organising committee members and public. However, such a member's role will exceed in importance to most others'. By paying special attention to sustainability, organisers of large festivals and gatherings can make a big difference to the level of pollution that such events create.

Sustainability is going to be the key mantra of future public events. Because that's precisely where we tend to forget about the planet we live in and what we are doing to our habitat through our unsustainable lifestyle.